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The Origin of Buttons: The Country of Clothes and Knots

The Origin of Buttons: The Country of Clothes and Knots

  • Categories:Company news
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  • Time of issue:2019-03-14
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(Summary description)The development of buttons in China has a peculiar and long history. The earliest button is "rope knot". "rope" is homophonic with "god", and because "rope" is like a curved dragon, its change has thus become the incarnation of god. , "Jie" and "Ji" homophonic, "Ji" has a variety of content, blessing, Lu, longevity, happiness, wealth all belong to the category of Ji. In classical literature, "knot" is more symbolic of the lingering love between men and women. How rich human emotions are, how ever-changing "knot" is. Because of these "knots" as buttons in ancient times, it reflects people's good desire to pursue truth, goodness and beauty and their belief in religion.

In terms of form, the ancestors used rope knots to be coiled into an "S" shape to decorate their waists. It has gone through Zhou's "sash belts", the Southern and Northern Dynasties' "double waist belts, and the dream is a concentric knot" to the prosperous Tang Dynasty's "striped silk". Knots, Ning's "Yuhuan Ribbons", and "coil buttons" on cheongsams in Ming and Qing Dynasties. All of them show the status of "knot" in traditional Chinese clothing. After thousands of years of evolution, it was not until modern times that buttons replaced knots.

Today, people collectively refer to the ancient "knot" art as "Chinese knot", which has been given a wider decorative role. However, the "knot", a culture that has been handed down for thousands of years, still has a profound impact on modern clothing culture.

The Origin of Buttons: The Country of Clothes and Knots

(Summary description)The development of buttons in China has a peculiar and long history. The earliest button is "rope knot". "rope" is homophonic with "god", and because "rope" is like a curved dragon, its change has thus become the incarnation of god. , "Jie" and "Ji" homophonic, "Ji" has a variety of content, blessing, Lu, longevity, happiness, wealth all belong to the category of Ji. In classical literature, "knot" is more symbolic of the lingering love between men and women. How rich human emotions are, how ever-changing "knot" is. Because of these "knots" as buttons in ancient times, it reflects people's good desire to pursue truth, goodness and beauty and their belief in religion.

In terms of form, the ancestors used rope knots to be coiled into an "S" shape to decorate their waists. It has gone through Zhou's "sash belts", the Southern and Northern Dynasties' "double waist belts, and the dream is a concentric knot" to the prosperous Tang Dynasty's "striped silk". Knots, Ning's "Yuhuan Ribbons", and "coil buttons" on cheongsams in Ming and Qing Dynasties. All of them show the status of "knot" in traditional Chinese clothing. After thousands of years of evolution, it was not until modern times that buttons replaced knots.

Today, people collectively refer to the ancient "knot" art as "Chinese knot", which has been given a wider decorative role. However, the "knot", a culture that has been handed down for thousands of years, still has a profound impact on modern clothing culture.

  • Categories:Company news
  • Author:
  • Origin:
  • Time of issue:2019-03-14
  • Views:0
Information

The development of buttons in China has a peculiar and long history. The earliest button is "rope knot". "rope" is homophonic with "god", and because "rope" is like a curved dragon, its change has thus become the incarnation of god. , "Jie" and "Ji" homophonic, "Ji" has a variety of content, blessing, Lu, longevity, happiness, wealth all belong to the category of Ji. In classical literature, "knot" is more symbolic of the lingering love between men and women. How rich human emotions are, how ever-changing "knot" is. Because of these "knots" as buttons in ancient times, it reflects people's good desire to pursue truth, goodness and beauty and their belief in religion.

In terms of form, the ancestors used rope knots to be coiled into an "S" shape to decorate their waists. It has gone through Zhou's "sash belts", the Southern and Northern Dynasties' "double waist belts, and the dream is a concentric knot" to the prosperous Tang Dynasty's "striped silk". Knots, Ning's "Yuhuan Ribbons", and "coil buttons" on cheongsams in Ming and Qing Dynasties. All of them show the status of "knot" in traditional Chinese clothing. After thousands of years of evolution, it was not until modern times that buttons replaced knots.

Today, people collectively refer to the ancient "knot" art as "Chinese knot", which has been given a wider decorative role. However, the "knot", a culture that has been handed down for thousands of years, still has a profound impact on modern clothing culture.

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